Programming

Withdrawals and Resonances proposes stagings where water and the idea of transition that it underlies becomes the central element.

Guy Giard exhibits the last part of a series of travelling exhibitions across Canada.

Juxtaposed with Hélène Goyette's drawings, Britta Klingenstierna presents these "civilized circles", a series of paper mache vases.

Nathalie Ducharme presents ceramic sculptures inspired mainly by architecture.

Natalie Roy's sculptural installation invites us to an encounter with objects denatured from their original essence.

Anna Boghiguian exhibits her sculptures and works on paper made from various materials found in her immediate environment.

As part of the Month of Photography, the gallery presents the work of Wyn Geleynse. This Toronto-based artist is known for his reflection on the operations and complexity of memory.

Michèle Tremblay-Gillon's installation takes over the space of the DARE-DARE gallery with two columns placed face to face on opposite walls.

La Cité des cathédrales intérieures, presented at DARE-DARE, are "small temple-theaters perched atop arcades that trace the mad aspirations of the builders of ziggurats.

How randomness will take its shape... who knows? But there may be a sensation.

Diving into the inner being, Darren Millington's pictorial research reshapes our perception of the anthrope into an allegory of the body and its affect.

Small etchings: the images are compact and complete, intimate and unexpected.

Nathalie Font's work is composed of various materials: tapestry, paint, paper, frames, carpets, and thus reveal a variety of themes, some inspired by the history of art.

With a disturbing eloquence, Suzanne Boucher's works on paper communicate the sensual pleasure of drawing.

The painting work of Michelle Guay and Denise Lapointe is practiced within a precise area: abstraction.

Exhibition of sculpture, photo and installation in gallery.